Hi, SEers. Staci here.
Valentine’s Day is tomorrow, and many of you who know I write romance might think it’s only fitting that my scheduled post falls nearest this holiday.
Let me stop you right there. I don’t consider this a holiday.
When I was little, my parents celebrated love of family more so than romantic love for each other. We always had a heart-shaped cake, and we all got gifts. Little things, not elaborate ones. As the baby of the family, I was beholden to my mother’s whims, and as such, I was often required to wear red (rolling my eyes and groaning at this, but sharing the photo anyway).
When I first started dating my now-husband, we made a big deal of the holiday. Of course, we made big deals out of everything, young love being what it is. Multiple decades have toned down that exuberance. Our love is much deeper now, but also much less frivolous.
He and I are of the same opinion here. We’re Catholic, so we’re all for commemorating St. Valentine’s martyrdom on February 14 (insofar as we acknowledge any lesser-renowned saint, which isn’t that much), but as for the commercial aspect of the holiday? No. It’s just an occasion for greeting card, flower, and candy companies to make a fast buck. If you happen to love the holiday, more power to you. But hubby and I want to show our love for each other when and how we want, not when and how society tells us to.
That said, I am a romance writer. The romance genre is always hot, but at this time of year, it’s sizzling. People grab up all the free and discounted romance novels being promoted and devour happily-ever-afters like they’re near extinction.
So today, I want Valentine’s Day haters and romance novel lovers to meet in the middle. I’m going to address the love story in non-romance novels and why writers should consider writing one in, regardless of their genre.
I’m not just a romance writer. I’m a multi-genre writer. And I read even more genres than I write. The thing I focus on when I write, as well as the most important thing I look for when I read, is a strong character.
Thoughts and feelings define characters as much as their actions and reactions. Internalization is a key component to development. (click to tweet this)
In order to craft a strong, believable, well-developed character, a writer should have the character reflect on attractions, pursue love interests. Having a character considering a romance is as common as the character sleeping, eating, or breathing.
Just make sure to focus on the romance at the right time. In the middle of a gun fight, a guy isn’t going to think about how pretty his crush looked at work that morning. However, if they are both being held at gun point, his feelings for her may cause him extra anxiety for her safety or bring out a courage in him that he didn’t know he had. It’s all about timing.
If you consider any ordinary day in your own life, I bet you’ll discover you spend a lot of time thinking of the important people in your life. Of family and friends. Of your significant other, or of the person you wish was your partner.
We thrive on relationships. Doesn’t it stand to reason, then, that our characters do as well? (click to tweet this)
Readers are more likely to empathize with your characters if they can relate to them on multiple levels. People actively seek out companionship. Characters should, too.
Plot Enrichment and Advancement
Not every plot demands a romance. In fact, not every plot can sustain one. I’m the first to admit it, even though I love a good love story.
But some stories benefit from them. Some stories thrive on them.
If you’re working on a non-romance novel and you have a couple with chemistry (designed or happy accident), exploit it. The tug-and-pull, give-and-take, will-they-or-won’t-they aspects of the potential relationship can give you compelling plot threads that can weave details tighter or help unravel too-convenient outcomes.
A moderator of a writing group I used to belong to always said if the action grew stagnant, the writer should throw a (metaphorical or literal) dead body into the room. It gives fresh breath to stale air and can take the story in new directions. I think the nuances of a potential relationship can have a similar effect.
Familiar Non-Romances That Incorporated Relationships
Love interests and blooming romances happen in all genres. This doesn’t mean explicit sex scenes, or even implied behind-closed-door sex. And the outcome of the story certainly doesn’t depend on a couple getting together (the way romance novels do). But including a love interest can develop character, increase reader empathy, and advance plot. Some of my favorite examples of this are listed below.
Star Wars: Empire Strikes Back/Return of the Jedi. Han and Leia getting together didn’t impact the war between the Empire and the Resistance, but it sure made us root harder for the two of them.
Gone with the Wind. Yes, I know many of you are arguing that this is the quintessential romance with one of the most famous couples of all time. But it’s not a romance. Not in the truest definition of the genre. Yes, she and Rhett had an epic love, but they didn’t have a happily-ever-after ending. And more to the point, even without Rhett, Scarlett has her character arc of rising above the horrors of war and learning to thrive. Did Rhett make for some compelling scenes and help advance the plot in ways a non-love-interest never could? Of course. But this isn’t a romance.
The Stand. Stephen King writes a lot of relationships into his work. We might forget, because a ton of people die, but those relationships are there. And they make us know the characters better as well as help to advance the plot. Besides, who wasn’t rooting for Stu and Fran to become the Adam and Eve of the post-apocalyptic story?
11-22-63. Have to give this one up to Mr. King, too. This is a time travel/historical piece that keeps you on the edge of your seat. Will Jake save President Kennedy from assassination, and what will the ramifications of his actions be? Because the stakes of that decision aren’t high enough, King adds in a love interest, Sadie, and it’s not likely Jake can save both her and Kennedy. Each page gets us deeper into Jake’s head and heart, and the ending really tugs the readers’ heartstrings.
You might disagree with my favorites list. You might not even know some of these works. I could go on and on, listing examples of genres and how romances enriched them, but I think you get the point. And you probably have several other stories in mind, as well.
In honor of Valentine’s Day, let’s talk about your favorite books and how the love stories in them made them better. Or how the inclusion of a romance would have improved on a story that doesn’t have one. This can be your own work or a book on your shelf. Let’s get a bunch of titles listed.
And, I suppose I should end with this… Happy Valentine’s Day!